Alamo Drafthouses across the country will celebrate Deadpool 2 arriving in theaters with a menu featuring Chimichangas and “TaKillYa” cocktails.
Alamo Drafthouses across the country will celebrate Deadpool 2 arriving in theaters with a menu featuring Chimichangas and “TaKillYa” cocktails.
At this point everyone in Oakland has had a chance to catch Black Panther, right? In case you haven’t, but plan on doing so, I should note everything below in this post is a spoiler for the final Oakland-based scene of the film. Okay?
Black Panther is breaking all sorts of records and that means plenty of dollar bills for the Walt Disney Company. According to ComingSoon.net, the House of Mouse has decided to put some of that money back into the communities that have no doubt helped make Black Panther one of the most successful superhero films ever.
Disney plans to donate $1 million to the Boys and Girls Club of America to help expand the organizations STEM programs. Part of that investment includes helping to establish an Oakland-based STEM Center of Innovation. The move is a clear nod to the film’s ending where Wakanda starts making contact with the rest of the world by establishing a science center in Oakland. T’Challa’s wicked smart sister, Shuri, is tapped to lead the science outreach initiative.
The majority of the film takes place in the fictional nation of Wakanda, but it is an Oakland film at heart. The Bay Area city is the birthplace of director Ryan Coogler who made his Hollywood debut with the critically-acclaimed indie film Fruitvale Station. That film told the story of Oscar Grant who on New Year’s Eve 2009 was shot in the back and murdered by BART police.
In a statement, Walt Disney Company CEO Bob Iger noted that Black Panther is “sparking discussion, inspiring people young and old, and breaking down age-old industry myths.”
Disney’s money will additionally support STEM programs in Atlanta, Baltimore, Chicago, Harlem, Hartford, Memphis, New Orleans, Orlando, Philadelphia, Washington, DC, and Watts.
On the heels of Thor crushing the box office this weekend, Marvel has returned to San Francisco to shoot more scenes for next year’s Ant-Man and The Wasp.
The film crew, operating under the moniker PYM Particles Productions shooting a movie called “Cherry Blue,” spent Monday down at Pier 39. Thanks to additional signage posted around North Beach we know more filming is planned for this coming Wednesday near the Transamerica Building.
“Cherry Blue” from PYM Particle Productions?
— G Investor (@GInvestor888) November 6, 2017
This is at least the second time this year the company has been to the city to shoot scenes for the second film involving Marvel’s smallest (and sometimes largest) superhero. In September, PYM Particles Productions spent a week flipping cars near Nob Hill.
Ant-Man and the Wasp will be released in theaters on July 6, 2018. Most of the first film’s cast will return including Paul Rudd, Evangeline Lilly, and Michael Douglas. Both Michelle Pfieffer and Laurence Fishburne have signed on for the sequel.
In April of 2016 news broke that Hasbro was going to make an effort to leverage several properties into a shared cinematic universe. The properties included G.I. Joe, Visionaries, M.A.S.K., Micronauts, and ROM.
The toy company brought together a who’s who of storytellers to form a writers room and start figuring out how all of the pieces could interlock. From Variety:
The writers assigned to the room are Lindsey Beer (“Wizard of Oz”), Michael Chabon(“The Amazing Adventures of Kavalier & Clay”), Cheo Coker (“Ray Donovan”), Jonathan Goldstein & John Francis Daley (“Spider-Man: Homecoming”), Joe Robert Cole (“Black Panther”), Nicole Perlman (“Guardians of the Galaxy”), Jeff Pinkner (“The Dark Tower”), Nicole Riegel (“Soldier Girls”), Geneva Robertson (“Tomb Raider”) and Brian K Vaughan (“Lost”).
After that initial announcement, there wasn’t much follow-up on the status of any sort of shared universe.
We do know Akiva Goldsman, who oversaw the writers room as well as the last three Transformers films, has left Hasbro to work with Paramount.
Curious about whether or not we’ll ever see this universe I started to do some digging. The best (and limited) information I could find was in a Hollywood Reporter profile of Hasbro CEO Brian Goldner. Buried at the very end of the June 2017 interview Goldner says:
There are vault brands like Micronauts, MASK, ROM and Visionaries. We had a writers room last summer to develop a suite of stories. My expectation is that by 2020, we should see some major entertainment coming from the development that we’ve undertaken.
That’s it. No follow-up for further explanation. Whether or not Hasbro still plans to combine that suite of stories into a shared universe is still a big question mark. The concept has worked well for IDW who holds the comic licenses for all of those toy brands.
The 10-year-old in me would simply be happy with a G.I. Jor reboot that mirrors the original Marvel comic book series.
Since it was announced Zendaya was cast in Spider-Man: Homecoming there’s been a big question mark around her character. Early rumors that she’d been cast as Mary Jane Watson were quashed by the star in a November interview with ET Online. She verified her character is named “Michelle.” Last night we saw the first trailer for the film finds Zendaya reading in the cafeteria giving us our first glimpse of the actress in her role.
The moment doesn’t give us many answers other than showing us “Michelle” is an avid book reader. As a fan of seeing books on film and figuring out what characters are reading, I took time last night to squint at the blurry screen capture.
Here are the top three books in the pile with Wikipedia synopsis:
Fyodor Dostoevsky’s The Adolescent
The novel chronicles the life of 19-year-old intellectual, Arkady Dolgoruky, illegitimate child of the controversial and womanizing landowner Versilov. A focus of the novel is the recurring conflict between father and son, particularly in ideology, which represents the battles between the conventional “old” way of thinking in the 1840s and the new nihilistic point of view of the youth of 1860s Russia. Whereas the young of Arkady’s time embraced a very negative opinion of Russian culture in contrast to Western or European culture.
Another main theme is Arkady’s development and utilization of his “idea” in his life, mainly a form of rebellion against society (and his father) through the rejection of attending a university, and the making of money and living independently, onto the eventual aim of becoming excessively wealthy and powerful.
Henry James’s The Wings of the Dove
This novel tells the story of Milly Theale, an American heiress stricken with a serious disease, and her effect on the people around her. Some of these people befriend Milly with honorable motives, while others are more self-interested.
Kōbō Abe’s Woman in the Dunes
In 1955, Jumpei Niki, a schoolteacher from Tokyo, visits a fishing village to collect insects. After missing the last bus, he is led, by the villagers, in an act of apparent hospitality, to a house in the dunes that can be reached only by ladder. The next morning the ladder is gone and he finds he is expected to keep the house clear of sand with the woman living there, with whom he is also to produce children. He eventually gives up trying to escape when he comes to realize returning to his old life would give him no more liberty. After seven years, he is proclaimed officially dead.
As for the fourth book, there are many books that have “Democracy” and I haven’t been able to find a matching book spine image.
The second trailer dropped on March 27 and gave us our second peek into Zendaya’s character’s reading interests in Spider-Man: Homecoming. This time the visual is clear: W. Somerset Maugham‘s 1915 masterpiece Of Human Bondage.
From Penguin Books:
W. Somerset Maugham’s masterwork is the coming-of-age story of Philip Carey, a sensitive young man consumed by an unrequited and self-destructive love.
Born with a clubfoot, Philip is orphaned as a child and raised by unsympathetic relatives. Sent to a boarding school where he has difficulty fitting in, he grows up with an intense longing for love, art, and experience. After failing to become an artist in Paris, he begins medical studies in London, where he meets Mildred, a cold-hearted waitress with whom he falls into a powerful, tortured, life-altering love affair. This is the most autobiographical of Maugham’s works, with Philip’s malformed foot standing in for Maugham’s stutter, and the character’s painful romantic struggles inspired by the author’s own intense love affairs with both men and women. A brilliant and deeply moving portrayal of the price of passion and the universal desire for connection, Of Human Bondage stands as one of the most accomplished novels in English literature.
The late-1970s must have been an interesting time for comic book fans eager to see live-action adaptations of their heroes. Three heroes made the leap from page to pilot to, at the least, one season: Spider-Man, Wonder Woman, and Hulk. One hero that wasn’t so lucky was Marvel’s Dr. Strange. In 1978, CBS produced a pilot for the Sorcerer Supreme that, unfortunately, didn’t get picked up for a full season. Outside of comic book super fans the two-hour pilot has remained mostly forgotten and unseen.
That same year DC smashed through the comic book pages and elevated their flagship hero, Superman, from funny books to the level of a cinematic star. Christopher Reeve defined the role of the Man of Steel in Richard Donner’s Superman. Christopher Reeve would go on to play the hero in three more films.
This weekend at the Balboa Theatre, 1978 will be front and center as the Balboa screens both Dr. Strange and Superman. Those two films are only a small part of comic book film programming taking place this weekend as part of Balboa Con. The historic Outer Richmond theater will be showing no less than 12 comic book-based films including the first three Superman films, Darkman, Hellboy, Tank Girl, and more. According to the event’s Facebook page:
We are very excited to present the first ever Balboa Con! This is going to be a whole weekend dedicated to comic book art, movies, and cartoons! There will be four days of comic book movie programming along with Q&As, special guests, and lots and lots of affordable and amazing art in the lobby.
Dr. Strange will screen on Friday alongside the 1992 cult classic Dr. Mordrid. Dr. Mordrid is essentially Dr. Strange without a mustache because the film was produced by New Moon’s Charles Band who held an expired option for the Marvel character. He made the film with slight changes to the title character.
In addition to comic book-based film the Balboa will screen thematic cartoons and present a number of artists. The full screening schedule is below and artists will be appearing throughout the weekend.
The Cartoon Art Museum is hoping to host a screening of Comix: Beyond the Comic Book Pages on June 9 at Landmark Embarcadero Theatre. The documentary explores the history and culture of comics through the voices of creators, publishers, store owners, collectors, and fans. The screening is a dual opportunity to celebrate comics while supporting the important work of the Cartoon Art Museum. However, the event will only happen if enough people RSVP using the Tugg screening platform before May 30.
If you’re unfamiliar with Tugg it’s a clever tool that allows cinema fans to bring obscure films to a theater with very little risk. I used the system a couple of times as an events producer in Madison, Wisconsin. Most notably, to bring the crowdsourced Iron Sky to the city when I couldn’t get any theaters to commit. It sold out. How it works is a theater determines the minimum number of butts that need to fill seats to justify showing the film. If that many people RSVP in advance the screening moves forward. If you can’t generate the minimum number of attendees the screening doesn’t happen. Guests are only charged if the screening happens.
The Cartoon Art Museum shuttered it’s doors last September due to the high cost of hosting a unique museum in San Francisco. Currently, the Cartoon Art Museum is questing for a new home. In addition to seeing the film, attendees can donate to the museum when they reserve a place through Tugg. As of this morning, it looks like I’m one of two people RSVP’d. That’s a shame! Let’s all watch a film together and support the Cartoon Art Museum.
The Contemporary Jewish Museum has announced programming for the Stanley Kubrick Exhibition. The exhibition celebrating the life and work of one of cinema’s finest auteurs opens on June 30 (June 29 for members) and will kick-off four months of lectures and gallery talks related to Kubrick. Opening night features a discussion about the personal and professional life of Kubrick featuring Jan Harlan, Tim Heptner, Katharina Kubrick, and Hans-Peter Reichmann.
Throughout the following four months Kubrick fans will have opportunities to attend discussions related to his films, the filmmaker through the lens of Judaism, a spotlight on his immense collection of lenses and cameras, Kubrick as futurist, and much more. A complete list is available here.
We previously wrote about how the exhibition was presented in South Korea and we’re looking forward to seeing CJM’s presentation.
Touring art exhibitions aren’t uncommon but they’re typically focused on artists one would expect to see on a museum wall or floor: photographers, painters, sculptors, etc. It’s rare to have an exhibition focused on the life and career of an auteur filmmaker. This summer the Contemporary Jewish Museum, 736 Mission Street in San Francisco, will host an exhibition focused on the works of the late Stanley Kubrick. This unique experience will take visitors deep into the works of Kubrick by showcasing his meticulous research and production documents, screenplays, correspondence, production stills, props, costumes, cameras and lenses.
The immersive experience highlights Kubrick’s entire cinema including popular films like Lolita, The Shining, and A Clockwork Orange. It examines the many cinematic breakthroughs that can be credited to Kubrick and his team of filmmakers. Perhaps of most interest to Kubrick fans is the opportunity to see materials related to Kubrick’s unfinished projects Napoleon and Aryan Papers.
Some prop highlights include the dresses worn by the Grady twins in The Shining, Private Joker’s “duality of man” helmet from Full Metal Jacket, the Star-Child from 2001, decor from the Korova Milk Bar in A Clockwork Orange, and period costumes from Barry Lyndon.
The exhibition opens June 30 and runs through October 30, 2016. More information and photos are available at the exhibition’s website.
Contemporary Jewish Museum
736 Mission Street
San Francisco, CA 94103
I’ve been following the renovation to the point of occasionally watching the construction cam (when it was available). I open every Victory newsletter hoping this will be the one to finally let me know when I can
move into my future home take in my first Drafthouse experience. Suffice it to say, I’m really excited about the Alamo Drafthouse opening in San Francisco.
Something I haven’t been excited about until 9:30 a.m. this morning? Star Wars: The Force Awakens. It isn’t that I’m not looking forward to seeing new stories set in the Star Wars universe, but two things working against me is having been burned by the new trilogies and a natural reflex against unearned hype. I was a Star Wars Hype Monster before The Phantom Menace arrived in theaters, but by time Revenge of the Sith hit the screen I’d sufficiently adjusted my hype meter. Moving forward my devotion and willingness to spread gospel for a licensed property needed to be earned. J. J. Abrams didn’t impress me with his take on Star Trek, so he needs to win me over with SW:TFA before I’ll start singing praises for the next Star Wars.
That isn’t to say watching the first trailer didn’t make me feel giddy (which I acknowledge is a form of being excited). It made me giddy to the point where I moved from “I’ll go see it at some point opening week” to “I’ll likely go see it opening weekend.” Honestly, it was the shot with the crashed Star Destroyer and a sudden desire to want to see that image on a giant screen.
Back to 9:30 a.m. this morning. The meter moved from “I’ll likely go see it opening weekend” to “I will go see this movie opening night.” Why? Because, as long as I can get tickets, I’ll be able to see it at the Alamo Drafthouse in San Francisco. This morning the Victory newsletter revealed that although we don’t know the opening date for the new theater (I understand that information will be coming later this week) we do know it’ll be open in time for The Force Awakens. I’m all about the proper viewing experience and I trust the Drafthouse team to make this into one hell of a proper viewing experience.
Tickets for The Force Awakens go on sale tomorrow. As of this writing the exact time is TBD.