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Read more about the article Hulk Snap: Worse Than Thanos Snap?

Hulk Snap: Worse Than Thanos Snap?

It probably doesn’t need to be said but this article has significant spoilers for Avengers: Endgame. If you’re okay with spoilers jump past this picture of the Hulk and keep going. If you aren’t? Well, stop right here or Hulk smash.

Hulk Snap: Worse than the Thanos Snap?

If you spend way too much time thinking about Avengers: Endgame you’ll start to realize the “Hulk Snap” may have been a terrible decision. Don’t get me wrong, I thoroughly enjoyed Endgame and am firmly in the “just enjoy the movie for goodness sake” camp, but for funsies I decided to sit down and (over)think about all of the ways Tony Stark’s requirement for the “Hulk snap” was actually kinda, sorta selfish.

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Endgame Plus Dark Phoenix Equals A Secret Wars Film

We can preserve the X-Men and Avengers Universes while still bringing all of the heroes together. The stingers for Avengers: Endgame and X-Men: Dark Phoenix should start setting up a Secret Wars film. Here’s how…

Avengers Endgame plus Dark Phoenix equals Secret Wars film

Disney has acquired Fox and with it comes the Marvel’s X-Men and all of the related properties. We don’t know when we’ll start seeing mutants in the Marvel Cinematic Universe, but we do know it’s coming. This fact is cause to celebrate for fans who believe the MCU should reflect the comics. For others, (*raises hand*) there’s some hand-wringing as to what Disnification might mean for what’s become one of the more cinematically adventurous Universes under the superhero film genre. We’d be happy if the X-Men stayed in their own Universe (also, I’ll admit I’m one of the few people who would be totally fine with the Spideyverse staying with Sony).

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The case against a shared Spideyverse / X-Men / MCU Universe, part two

Oh right. Spider-Man once had six arms. That happened.
Oh right. Spider-Man once had six arms. That happened.

Contrary to the possible misrepresentation of Sony Co-Chair Amy Pascal’s comments, an expanding Universe based solely around Spider-Man has a great deal of potential. Yes, there is a risk of Spideyverse exhaustion (although the reboot being so successful in spite of it being less than five years after the Raimi trilogy suggests otherwise), but I believe Pascal was suggesting Spiderverse-based films that don’t necessarily include Spider-Man. Unfortunately, with superhero films, we’re locked into the blockbuster mentality. That’s why I think Sony may be the best bet when it comes to breaking open a larger Spider-Man Universe. Sony has shown by continuing franchises like Resident Evil and Underworld that they’re  comfortable with their subsidiaries occasionally turning a profit of less than $100 million. This is where I see many of the Spideyverse spin-off films falling. Again, this all comes down to who has the rights to the below characters.

(note: this is part two in a series exploring why we don’t need the X-Men and Spider-Man in the Marvel Cinematic Universe. See part one here.)

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Superior Spider-Man: Do we need Peter Parker?

Why wonder if there's a you when that you could be you?
Why wonder if there’s a you when that you could be you?

My willingness to see flagship characters die and “remain dead” likely comes from growing up as a Green Lantern fan and being forced to accept the death of Hal Jordan. While 1993 saw headlines trumpeting the death of Superman it was insignificant when held up to the eventual fallout of Superman’s return. The original Superman returns, after only seven months “dead,” to find Jordan’s Coast City in ruins thanks to the combined forces of Cyborg Superman and Mogul. Jordan had been away from Earth during the destruction and finding the city destroyed begins a descent into madness. He seeks the power to restore Coast City by slaughtering the Green Lantern Corps. After taking their rings he becomes the villain Parallax for three years. His death finally comes in 1996 when, as Parallax, he sacrifices himself to reignite the Sun in “The Final Night.” Jordan remained dead until his soul returned as The Spectre in 1999 and eventually returning to his power ring in 2004.

Ten years is a longtime for such a well-known hero to not return to his namesake title (possibly topped only by Barry Allen).  Prior to Peter Parker being purged from his body by Doctor Octopus at the end of 2012 the most recent gamble by Marvel was the death of Steve Rogers as Captain America in April of 2007. Impressively, Rogers stayed “dead” (he was actually frozen in time) for more than two years and when he did come back it wasn’t certain how soon he’d return to the shield. It was the first time since the death of Jordan that a major character known for carrying a title had been sacrificed for more than a year. Batman doesn’t count, because when DC “killed” Bruce Wayne at the end of 2009’s Final Crisis issue six it was only one week of wondering if he’d eventually return to the cowl (Wayne, much like Rogers, was also sent hurtling through time).

This is why the death and eventual return of Peter Parker is significant. Much to the chagrin of those calling for Dan Slott’s head Superior Spider-Man continues to be one of Marvel’s best-selling titles (you can read my previous defense of SSM here). It begs the question, do we need Peter Parker? That’s a hard question for me to write. Spider-Man was the first hero I ever made a monthly commitment to when my mother let me subscribe by direct mail to Web of Spider-Man in the late 80s. It’s difficult to comprehend a generation growing up without Parker and all of his idiosyncrasies behind the mask.

If we decide Peter Parker doesn’t necessarily need to come back it can’t be Otto Octavius forever. While he’s been taking strides to become a better person, including very noble advocacy on behalf of little people, he did kill Peter Parker and deserves to get his comeuppance. Who should take his place?
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Daredevil will return to San Francisco! Let’s hope it goes better than last time.

In March, Mark Waid and Chris Samnee will move Daredevil from New York City to start a new life in San Francisco.

This will be Daredevil’s second attempt at adapting to life in the Bay Area. He last moved to San Francisco in 1972 while somewhat obsessively crushing on Black Widow. They lived together in a mansion Black Widow rented for a year using the last of her inheritance. (This is in 1972 dollars, so her inheritance would likely only secure her a month’s rent in San Francisco’s current rental market.)

Electro in ChinatownDaredevil’s arrival in San Francisco is well timed as it happens to be the same month Electro decided to move to the Bay Area “to get away from that creep Spider-Man.” Never one to be idle, Electro decides to use his opportunity in a city “uneducated in the matters of supervillainy” for “the total annihilation of San Francisco’s will to resist.” Much to his shock, Electro is defeated by Daredevil and San Francisco’s will is preserved. Imagine what would have happened if Daredevil hadn’t coincidentally moved to San Francisco at the same time as Electro! He might have broken the will of San Francisco, but he could have fulfilled the city’s dream of being powered 100 percent by clean energy (assuming being powered by Electro is considered “clean”).

Living in the Bay Area quickly becomes a frustrating experience. San Francisco’s media proves to be much less dense than New York City’s. In issue 92 a television reporter notes Daredevil and Black Widow showed up at the same time as “a certain trial lawyer known for his connection with that same infamous lady.” The reporter concludes that Murdock and Daredevil are one and the same.

daredevilrevealed

Sadly that reporter never has the opportunity to see a Pulitzer for being the first ever to put facts together and figure out a superhero alias. To save his identity, Murdock asks T’Challa to fly from New York City to San Francisco, put on the Daredevil costume, and appear with him at a news conference. He explains to the reporters that Daredevil used to be his brother Mike (who was really Matt), who died, but before his death asked a new Daredevil to watch over his blind sibling. Therefore, this new Daredevil followed Murdock all the way from New York City to San Francisco and teamed up with Black Widow. Everyone buys it.

All of this should have fallen apart when Peter Parker, on assignment from the Daily Bugle, shows up to interview Daredevil and Black Widow. As Spider-Man he tails them to the Widow Mansion, changes into his civilian clothes, and knocks on the door. Conveniently, Matt Murdock apparently enjoys spending his leisure time in his Daredevil costume, because he’s still in hero gear when Parker is let in the mansion for his unannounced interview.  The interview is interrupted by the villain Ram Rod and, of course, Spider-Man appears to lend an assist. Black Widow and Daredevil are confused when Spider-Man “pops up out of nowhere to help us than just swings away into the sunset.” Parker appears moments after Spidey swings away and the heroes never connect the two.

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