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Tag Archives: Valiant

Frankensteining a pandemic horror film festival

The last time I was in a movie theater was March 13, 2020. COVID-19 had finally arrived on the U.S. shores and we weren’t quite sure what it would mean, but everything was starting to shut down. I figured it would probably be one of my last opportunities to visit the cinema for a couple of months, so I chose the earliest screening of Valiant’s Bloodshot.

It was an uncomfortable experience. The theater was mostly empty but one of the few other attendees chose to sit two seats away from me. He spent the film coughing, snorting, and, at least twice, spitting. I was pretty sure that was going to be it. My zeal to get one last film in would result in hospitalization from this virus we were still trying to understand.

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Image Expo reaches effective frequency

imageexpoConsidering how successful the 2012 and 2013 Image Expos were for the 21-year-old company it comes as a no surprise the company’s hosting a third in 2014. The surprise in the announcement is that Image Expo will be making a return to San Francisco’s  Yerba Buena Center for the Arts only six months after the previous expo.

Image seems to have learned that by hosting a solo event they can command headlines in a way that’s impossible during a large convention due to the “quantity over quality” convention reporting of many comic news websites. By hosting the Image Expo on January 9 the company is carving out a little island in the middle of what amounts to the convention doldrums. In recent years the headline producing convention season has been book-ended by Emerald City in March and either Comikaze Expo or New York Comic Con in October or November. There are very good reasons for not hosting a convention between Thanksgiving and Valentine’s Day, but it’s important to remember that the Image Expo is first and foremost for retailers and media. Image has essentially adopted and twisted the convention model used by large companies who want to get all of their clients in one place to announce new product developments or highlight best uses.

In 2012, Image Expo was criticized for the lack of female creators on the stage. While not completely excusable (there were a number of titles being promoted that featured women) it is worth noting that  Image Expo, unlike traditional conventions, had a much smaller pool of creators to tap when navigating availability and schedules. The company has made efforts to not repeat that error with 33 percent of their 2014 announced creators being women. Taking the stage will be Pretty Deadly‘s co-creator Kelly Sue DeConnick and Beast‘s Marian Churchland. Churchland has kept busy doing beautiful illustrations for titles such as Elephantmen  and Madame Xanadu, but hasn’t released a solo book since Beast, so it’s likely she’ll be announcing a new project.

Other creators in attendance will include Super Dinosaur‘s Robert Kirkman, Satellite Sam‘s Matt Fraction, Fear Agent‘s Rick Remender, and Prophet‘s Brandon Graham. Kirkman, Fraction, and Remender were also in attendance at Image Expo 2013 to announce new projects or give updates on existing endeavors.
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Dead Universes (part III): Reading order

ghostDeciding how to read a Dead Universe informs the best way to collect a Dead Universe. Do you read it series-by-series, as it came out when originally published, or in some sort of chronological order? Knowing this will help determine how to invest in Dead Universes.

Chronological Reading Order

Reading a Universe in chronological order is tempting, especially if the publisher had taken time to plot out a rough skeleton of the timeline. This is easiest with Defiant due to less than 60 issues being published thanks to Marvel’s company killing lawsuit. The website ShooterWorks.com has posted notes from the never published universe-wide crossover event, Schism, which helps establish a solid reading order. Using those notes and my own reading of the titles I’ve built a preferred Defiant Comics chronology.

The original Valiant Universe (VH1), on the other hand, had a long and healthy life before greed drove the universe into the ground. Due to that long publishing life putting the whole thing into a chronological reading order would be a bit of a bear. Thankfully, Joshua Eves at ValiantFans.com enjoys wrestling bears and did the heavy lifting to establish a timeline. While it would definitely be interesting to read the universe in this order it would require waiting until all of the relevant issues have been collected. Putting that collection together will take time and money because it isn’t very often someone puts up for sale an entire lot of all published Valiant issues.

Series-by-Series Reading Order

Steve Englehart, one of the founding fathers of the Ultraverse, has said the intention was “from the outset to share the playground and join in each other’s games,” so there’s a great deal more crossover in the Ultraverse than some of the other Dead Universes. That makes a chronological reading enticing. However, if you include everything published, including after the accursed Marvel buyout, there are nearly 800 single issues in the Ultraverse. Subtracting the issues after the Marvel takeover you’re still looking at more than 500 single issues. It isn’t as many as the Valiant Universe, but it would still take a great deal of work to figure out the rough chronology. Of course, there’s far less time jumping in the Ultraverse than in Valiant, so arguably someone could read the issues as they initially hit the market and probably come close to a chronology.

I’ve decided to read Malibu’s Ultraverse series-by-series based on when that series started. As an example, Prime, Hardcase, and The Strangers were first to market in June 1993, so I’ll read those all the way through starting with The Strangers which is considered the launch title of the universe. Next would be Freex and Mantra which both came out in July 1993. Those would be followed by Exiles and Prototype (August 1993), The Solution (September 1993), Sludge and Night Man (October 1993), so on and so forth. It’ll be interesting to first see the Ultraverse evolve entirely through the eyes of Prime and then see how it all connects through the perspective of Night Man.
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Dead Universes (part II): Best Practices

Marvel's ad after they bought out Ultraverse.

Marvel’s ad after they bought out Ultraverse.

Thursday I kicked off what’s intended to be a long running series dedicated to the exploration of Dead Universes. Today’s post is dedicated to looking at some of the ‘best practices’ for individuals who think they may want to get into reading or collecting Dead Universes.

1. Have a game plan. Know what you want to collect in advance and how you’ll go about doing it. I haven’t jumped into the original Valiant Universe yet for two reasons. The first is I have a substantial number of Valiant titles in my long boxes, which are 2000 miles away. It’ll be cheaper to mail them across the country over Christmas than to buy duplicates of the first 20 issues of Magnus, Solar, Harbinger, and Archer & Armstrong. The second is I haven’t quite figured out how much of the Valiant universe I want to read. I know I’ll stick through Jim Shooter’s run, but will I seek out everything up until Acclaim tried to turn the company into a video game promotional unit?

For Ultraverse, my demarcation line is roughly Godwheel. That’s when Marvel heroes first started coming into the Ultraverse and when the quality of the titles started to decline significantly.

2. Buy complete runs when possible. This is a bit of advice I wish I’d known going into my quest to acquire Ultraverse titles. Sure you might be able to get Prime 1-10 for $5, but you’ll have a harder time completing the rest of the series. Readers tend to decline the longer a series goes on (which is why Marvel and DC keep canceling and restarting titles), so there are fewer of the later issues in the resale marketplace.

3. Shop around. There’s a vendor on ebay currently selling a complete run of Freex for $45, which is much too high. One month ago I purchased a complete run for $15 ($20 with shipping). I have a rule to never pay more than the number of issues in the run, so essentially $1 per issue. It’s worth repeating that I’m collecting for the stories and not potential future value, so if you want an all near mint line you’ll likely be pay more.

4. Don’t be afraid to wait. If you’re unhappy with the price results coming back don’t be afraid to wait. My generation, the one that grew up during the comic Universe boom of the 90s, is getting to an age where many of us are embarrassed to have junk in our parent’s basement or we need to sacrifice long boxes to make space in our homes for baby cribs.

Next week I’ll take a look at “reading orders” of Dead Universes.

Dead Universes (part I): Reading Dead Universes

defiantA few years ago I had an itch to reread the Dark Dominion series from Defiant Comics. Not having my original issues readily available I went to ebay to see if I could get them at a reasonable price. Plugging “Defiant Comics” into the search led me to a vendor selling not only every issue of Dark Dominion, but nearly every single issue published by Defiant between 1993 and 1994 for $30. My pulse quickened as I realized I could own a nearly complete universe. He was only missing the two issues of Prudence & Caution and the Warriors of Plasm and Dark Dominion zero issues.

It was easy enough to track down Prudence & Caution, but the zero issues come as a series of trading cards that puzzle together when placed in order in a binder. There were vendors on ebay selling the fully collected trading cards complete in binders, but while searching I came across someone selling six boxes of Warriors of Plasm cards and four boxes of Dark Dominion cards. The price for all 10 unopened boxes was $20 which at the time seemed like a smart purchase.

When adjusted for inflation everything I purchased (not including the multiple boxes of trading cards) would have cost me more than $220 in 1994.  I only had to spend a little more than $50 so I could read the storyline of an entire shared universe. Having this revelation I realized if I could do it with Defiant I could very likely do it with the other mothballed universes from the 90s.

Some quick googling showed me I wasn’t alone. There’s a vibrant forum dedicated to Dead Universes at Valiantfans.com and a number of blogs documenting efforts to collect entire universes. The magnitude of collecting universes varies. Some collectors are only seeking to have a complete storyline. Others are trying to acquire all of the variant covers and ashcans. On the more extreme end are collectors collecting everything related to the publisher’s universe from action figures to promotional swag to television pilots.

Personally, I’m mostly interested in collecting for the purpose of reading the stories of these universes. Tragically, most have never been collected into trades and in many cases legal kerfuffles make the likelihood they ever will slim at best. That means mining ebay and long boxes at comic shops for the lowest priced floppies.

Of course, Dead Universes stretch all the way back to the Golden Age. For my own personal sanity I’ve limited my current reading to universes that were launched and started to fade between 1991 and 1995. This includes, but is not limited to, Defiant, Malibu’s Ultraverse, Comics Greatest World, and Valiant.

Related Links:

Dead Universes Part 2: Best Practices

Dead Universes Part 3: Choosing a Reading Order

Dead Universes Part 4: Defiant Comics